Posts Tagged ‘Met exhibit’

The Met Goes Punk!

Tuesday, September 25th, 2012

Mother of all things D.I.Y, studded, slashed, and repurposed, the Punk movement is finally having a proper moment in the limelight. The Metropolitan Museum of Art’s Costume Institute announced it’s 2013 exhibit “Punk: Chaos to Couture.” The press release described the exhibit as:

Organized thematically, gallery sections will include Rebel Heroes, which will evoke the New York and London music scenes of the mid-1970s, focusing on iconic punk bands such as The Ramones, The Sex Pistols, and The Clash.  The Couturiers Situationists gallery will examine Malcolm McLaren and Vivienne Westwood’s visual codification of punk through the merging of social realism and artistic expression, featuring fashion and graphics they produced for their boutique at 430 King’s Road in London, including Let it Rock, SEX, and Seditionaries.

Pavilions of Anarchy and Elegance will juxtapose punk designs with haute couture creations, focusing on customization and hand craftsmanship.  Punk Couture will explore high fashion’s engagement with punk hardware such as studs, spikes, chains, zippers, padlocks, safety pins, and razor blades.  D.I.Y. Style will highlight the impact of punk’s bricolage ethos on high fashion, including the use of recycled materials from trash culture. La Mode Destroy will examine the effect of punk’s rip-it-to-shreds attitude via torn and shredded garments associated with deconstructionist fashions.

We’re excited to see what the exhibit inspires in this year’s Met Gala red carpet looks. Co-hosted by Riccardo Tisci and The Girl with the Dragon Tattoo star Rooney Mara, we forsee studs, safety pins, frayed hems, and deconstructed decadence! The exhibit runs from May 9th through August 11th 2013.

Via WWD
Image Via Vogue.com
 

Schiaparelli and Prada: Impossible Conversations at the Met

Thursday, May 31st, 2012

Inspired by Miguel Covarrubias’ “Impossible Interviews” for Vanity Fair in the 1930s, the Met’s Spring 2012 Costume Institute exhibition, Schiaparelli and Prada: Impossible Conversations, explores the striking similarities between the two Italian designers, who are from different eras. Iconic looks are displayed along videos of simulated conversations between the two women, directed by Baz Luhrmann. The works on view are arranged by theme: Waist Up/Waist Down, Ugly Chic, Hard Chic, Naif Chic, The Classical Body, The Exotic Body and The Surreal Body.

The exhibition is on view through August 19, 2012 at the Metropolitan Museum of Art in New York City.

Iconic Designer: Elsa Schiaparelli

Monday, May 14th, 2012

One half of the Met’s Spring 2012 Costume Institute exhibition (with Miuccia Prada), Elsa Schiaparelli is enjoying a major moment in the fashion spotlight. The Italian designer, who was a rival and contemporary of Coco Chanel, was inspired by the Surrealists such as Salvador Dali and Alberto Giacometti and Dada. Schiaparelli (known as “Schiap” to her friends) had clients such as Mae West, Wallis Simpson and heiress Daisy Fellowes. She is credited with inventing culottes, fanciful buttons and fanciful prints of food and body parts and introducing wrapped turbans, wedge shoes and pompom-rimmed hats. The 1937 Lobster Dress, featuring a lobster painting by Dali, is one of her most famed designs.

Born into a life of privilege, she quickly escaped luxury so that she could focus on art and design in New York and then Paris. She launched a collection of knitwear in 1927, appeared in the pages of Vogue and expanded to swimwear, ski wear and linen dresses. The post-war era proved difficult for Schiaparelli and she officially closed her doors in 1954. After writing an autobiography, she lived between Paris and Tunisia until her death in 1973. She was grandmother to actress Marisa Berenson and the late Berry Berenson.

Elsa Schiaparelli (pictured above in her own design), autumn 1931. Photograph by Man Ray. c. 2012 Artists Rights Society (ARS), New York / ADAGP, Paris.

Wallis Simpson (pictured at right) in Elsa Schiaparelli, British Vogue, July 10, 1935. Photograph by Cecil Beaton / Vogue c. The Conde Nast Publications Ltd.